I worked on the sound design for the horror film Azem 5: Zair, focusing on foley, ambiences, and sound effects that support the narrative and reinforce tension. The project was completed in Pro Tools and released in cinemas on August 15, 2025. I worked within a tight schedule, in close collaboration with the editors and directors, incorporating their feedback throughout the process. 

I was not responsible for the music composition or the trailer sound design.

I recorded on-set sound for a short film, operating boom and lavalier microphones, managing the field recorder, and performing live gain staging to ensure clean, balanced audio. The recordings were delivered in a post-production–ready format with clear labeling and documentation. The process required technical precision and close collaboration with the director and camera team.

I developed and produced a podcast series focused on recent student movements in Turkey and their relationship to broader political issues. Alongside guest coordination and scheduling, I handled studio setup, recording, and full post-production, completing editing, mixing, and mastering to -16 LUFS podcast loudness standards.

I worked on the sound design for the first two episodes of Interface, an abstract animated web series by umami. Influenced by the surreal and experimental nature of the narrative and visuals, I approached the sound design through non-traditional methods. I designed and integrated ambient layers and detailed foley elements to support the animation’s rhythm and overall mood.